I feel like everyone on social media is either dancing or talking to the camera these days
Read MoreSnowflake Crown
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I feel like everyone on social media is either dancing or talking to the camera these days
Read MoreA closeup spin to show off this porcelain doll’s exquisite eyelashes, soft brows and shimmering eyeshadow. I’m very proud of the fine china-paint line work I’d done on her lashes. Because china-paint never dries on its own without being kiln-fired, the painting is always done wet-on-wet, which means creating fine, crisp lines is always a challenge. This also means there is very little margin for error, as even the tiniest mistake can ruin all the wet layers. But the challenge is worth the effort, because once fired, china-paint becomes eternal. 🤩
It’s time to open my molds, and see how the parts turned out.
This process, takes place about 2 hours after casting. Plaster molds absorb the water from the slip, and the doll parts harden, shrink, and detach themselves from the molds.
In this stage, the parts are fragile like eggshells, so I have to hold them with a feather touch, or they will get crushed.
I open the molds one at a time, and work quickly to cut away the sprues, open up sealed cavities with a scalpel, and pierce holes for the pins with drill bits.
Once exposed to the air, the parts start drying quickly, so time is of the essence here.
But despite the need for speed, I find this to be the most relaxing and enjoyable part of the whole process, because at this point, I don’t need to worry flawless execution. That will come later, but for now, without the pressure of perfection, or the need for extreme concentration, I can just enjoy the flow of my work and get lost in the process.
This is porcelain slip, and that is how I slip-cast ball-jointed, porcelain dolls. Next video will be me opening these molds and taking out the doll parts. Any questions?
The work on the one of a kind auction doll Serenity continues!
Read MoreNot each firing is successful, and not all hard work gets a rightly earned reward.
Read MoreI updated the traditional lace-up method, with a simpler and more elegant solution - snaps! It now takes a fraction of the time and only a few simple hand motions to corset and un-corset a doll!
Read MoreI really love antique glass enamel jewelry on gold, because of its’ resemblance to porcelain and china paint
Read MoreCinderella in gold 2024 was a special commission for a collector who loved the original 2009 closed limited edition. Her costuming is one of a kind, to differentiate her from the earlier edition doll.
Read MoreHow the lace lingerie engraving started, from sketching pencil lines on the doll's torso to starting the engraving. No turning back once the needle carves the porcelain, much like an ink tattoo on skin. I have put many many more hours into this project since this video, and i can't wait to show the rest of the design. Stay tuned for more clips of the process!
This doll is going in for a high temperature firing, which is when porcelain slip vitrifies into glass and shrinks 20%.
Read MoreThis is a wax sculpture of a new Doll shadow box I’m currently making. It’s based on a well-known fairy tale character. Can you guess which one based on the ornamentation? Here’s a hint - she is a villain.
Read MoreThe free flowing pendant has 16 vertebrae and 15 joints. It’s always dancing while I’m wearing it or when I can’t stop playing with it. In the video it goes through a patina process and then cleaned in a magnetic tumbler and then a rotary tumbler to give it that nice shine. The pendants are available in Silver and in Bronze
A short video of me signing and stamping the Enchanted Doll Publisher Edition book
Read MoreEmpress Theodora was a truly remarkable, accomplished, influential and impressive woman. She is a Byzantine-age feminist icon, a progressive reformer, and a real life Cinderella story!
Read MoreAt this stage of the process the porcelain is in a very fragile and soft state called Bisque
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